All in MOVIES

CLASSIC MOVIE SUNDAYS: Pulp Fiction (1994)

Georgios Merkouris

It is a daunting task to talk about this film, given how much of an impact it has had. To this day, it continues to influence cinema. It revitalized independent filmmaking, revived the careers of John Travolta and Bruce Willis, as well as made its director a household name.

CLASSIC MOVIE SUNDAYS: Taxi Driver (1976)

Georgios Merkouris

Often imitated yet never quite surpassed, “Taxi Driver” is one of the most unsettling motion pictures ever made. It manages to both capture the zeitgeist of its era, whilst addressing pervasive issues relevant to our world today. Taking place in New York City during the ‘70s, it tells the story of a man, haunted by his experiences, crippled by loneliness.

CLASSIC MOVIE SUNDAYS: The Princess Bride (1987)

Georgios Merkouris

Based on William Goldman’s 1973 novel of the same name, “The Princess Bride” is one of the most enduring (and endearing) cult classics of all time. The secret to its appeal lies mostly in its theatrical nature. The story and characters both earnest and satirical. It starts off with a highly melodramatic tone, then reveals its true nature, that of a parody of adventure romance films and epic fantasies.

CLASSIC MOVIE SUNDAYS: The Big Sleep (1946)

Georgios Merkouris

“Infamous for its wild and confusing plot, The Big Sleep has still managed to be one of the most popular films to emerge from Hollywood's golden era. This was in part due to its leads. Humphrey Bogart was the most profitable actor in 1940s cinema, his reputation being cemented due to the success of Casablanca.”

CLASSIC MOVIE SUNDAYS: McCabe & Mrs. Miller (1971)

Georgios Merkouris

Robert Altman’s elegiac masterwork represents a radical departure from previously established Hollywood filmmaking. Chronicling life in America’s frontier past, this classic follows John “Pudgy” McCabe (Warren Beatty), a gambler who arrives in the town of Presbyterian Church and establishes a brothel as his business.

CLASSIC MOVIE SUNDAYS: The Rules of the Game (1939)

Georgios Merkouris

Expectations for “The Rules of the Game” couldn’t have been higher. Fresh off of a string of successful and beloved films, lauded director Jean Renoir wanted his next film to be "a precise description of the bourgeois of our age." This was meant to be a comedy that would relieve the director’s mind from the pessimism arising at the onset of another World War.